Showing posts with label detroit. Show all posts
Showing posts with label detroit. Show all posts
4.27.2010
Dubstep these days
I'm really torn with dubstep these days. I feel like I've been with dubstep since it first made waves in the US when Rusko put out cockney thug (cuz let's face it, that's when dubstep really took off) but these days it's been brought into the ever-genre-fucking light of the MAINSTREAM~~~~
This isn't all bad. We're seeing stuff like the luvstep mixtape which pushes dubstep into different vibes (trading violent gargling wobble basses for tame sweeping melodic basslines). Also you get badass remixes of big named producers by other big names, for instance this remix of a track off of rusko's upcoming LP on mad decent:
Rusko - Hold On (Sub Focus RMX)
Hey, genre pushing is great, but i think it gets ruined by jokers like bassnectar who cater to the drugged up, hippy, jamband scene. I don't like this american-version of the british raver. what the fuck america? does everything we do have to turn into some sort of mcdonaldized, mass-pleasing, money raking bastardization? ahh well, there's more to life than bitching about the mainstream. let's focus on the good shit, shall we?
First up is Freddy Todd. This dude churns out crazy, syruppy glitch-hop styled dubstep a la Rustie and some of the other lucky me crew. But he kinda trades the lofi nuances of lucky me for a fat, american hip-hop touch. Can you call it dubstep if it isn't 140bpm? Cuz a lot of his stuff isn't. (looks like he's even done stuff with my beloved Mochipet! yay!) But I fucking love it. oh yeah, he's from DETROIT, TOO!!!
Freddy Todd - Space 5 Penthouse
This next one is a real chopper upper. Seriously heavy, I'm going to get subby to throw it in a mix or something. I like how it feels as though this sort of ultra-heavy/grimey style of dubstep has evolved from simple wobbles to crazy shit like this (and it doesn't even feel that repetitive). You should check out Bar 9, his shit is heavy and he srsly knows how to keep it real fasho with the grime and all. However, I'm a little tired of the whole BLACK AND WHITE MYSPACE PAGE DUBSTEP ARTIST LOOK AT ME I'M A BADASS COMPUTER NERD WHO CAN DJ meme.
Sidney Samson - Shut Up & Let It Go feat. Lady Bee (Bar 9 Remix)
Lastly is a subvader release. A kind of otherworldly approach to dubstep, this Mr Hudson x Kanye x Gucci Remix is pretty nuts. Not many producers change up the feel in one song as much as Subvader, and nobody does it as well. His EP IS DUE MAY 1st!
Mr Hudson x Kanye West x Gucci Mane - I'm the Supernova (Subvader Remix)
Hopefully these tracks are enough for your grimey needs. And hopefully they're enough to help battle the upcoming epidemic of shitty popstep.
LOve,
pacman
Labels:
bar 9,
detroit,
dubstep,
freddy todd,
mad decent,
rusko,
subvader
4.08.2010
Lazers Never Die (even in Ohio)
Call me a fanboy, about 3 months ago I bought tickets to see Major Lazer (and Bassnectar) twice in one week in April. That week is finally here and I finally saw the greatest dancehall/rave act of the century...
...in Cleveland fucking Ohio on a Wednesday night.
Major Lazer put on a great show--Skerritboy mindfucked the wholesome audience by daggering the shit out of some girls they brought up on stage. All sizes of girls. It was awesome.
Skerrit also continued to climb around the light fixtures that enclosed the dancefloor. motherfucker is crazy.
Diplo held shit down--wish he would have laid off the house in favor of something a bit more fresh, but can you blame a DJ for trying to please his audience? People were responsive, but as I woulda guessed, everybody seemed to confuse Skerritboy with 'Major Lazer.' Skerritboy is not Major Lazer. Major Lazer is not a real person. He's a cartoon/concept Jamaican post-apocalyptic zombie killer whose story is told through the tunes produced by Diplo and Switch. So really, Major Lazer was everybody on stage (diplo, skerrit and that one girl they tour with). He is less of a personifiable entity than a thing which exists only in and of itself, therefore allowing the blanket term to be applied to the whole crew. Less of that, more of what came next-->>>>
<<<<----bassnectar. I was a little sad that the soundguy kept ML's set noticeably quieter than bassnectar's. I suppose this is a standard of club-gigging ethics, but it still pisses me off a bit. He was pretty sick to see live, tho... kept the energy at 110% the entire set. I've only seen that sort of crowd working at metal shows.
come to think of it, his set was very metal. maybe too metal for me, but the dancefloor ate it the fuck up. he hit the brown note and then some (approx sub-10hz). The place was flexing under his turntables. Speaking of, the guy is a fucking turntable whiz; adding crazy shit all over the place.
i scored some autograffs 2! Had a mini-convo w/ diplo in which i told him how awesome i thought his music is. I tried really hard to not suck his cock, but that's really what ended up happening.
all in all, exceeded my expectations for a venue in ohio. with friday comes their next show... in the mother fucking D. PUT YO' HANDS UP FO' DI-TROYYIT!!
oh yo, peep these crazy urinals! they bees in there! painted on like!
<====-PAC MOTHERUFCKNG MAN
Labels:
bassnectar,
bees,
daggering,
detroit,
diplo,
live,
mad decent,
major lazer,
midwest,
ohio,
skerritboy,
urinals
2.07.2010
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